{"id":6531,"date":"2025-09-21T11:27:55","date_gmt":"2025-09-21T11:27:55","guid":{"rendered":"https:\/\/d-caf.org\/?post_type=speaker&#038;p=6531"},"modified":"2025-09-21T11:27:56","modified_gmt":"2025-09-21T11:27:56","slug":"valerie-dreville","status":"publish","type":"speaker","link":"https:\/\/d-caf.org\/ar\/speaker\/valerie-dreville\/","title":{"rendered":"Val\u00e9rie Dr\u00e9ville"},"content":{"rendered":"<p><strong>Val\u00e9rie Dr\u00e9ville<\/strong> trained at the Th\u00e9\u00e2tre National de Chaillot and the Conservatoire National Sup\u00e9rieur d\u2019Art Dramatique in Paris. Early in her career, she worked closely with Antoine Vitez and later joined the Com\u00e9die-Fran\u00e7aise (1988\u20131993). She has performed under leading directors including Claude R\u00e9gy, Luc Bondy, and Yannis Kokkos, in works by Racine, Jon Fosse, David Harrower, and Maeterlinck. Her film credits include <em>La Sentinelle<\/em> and <em>La Maladie de Sachs<\/em>. Since 2001, she has collaborated with Anatoli Vassiliev on <em>M\u00e9d\u00e9e-Mat\u00e9riau<\/em> and <em>Le R\u00e9cit d\u2019un homme inconnu<\/em>, touring internationally. An associate artist at the Th\u00e9\u00e2tre National de Strasbourg, she recently appeared in <em>Les Poss\u00e9d\u00e9s<\/em> and <em>Edelweiss<\/em> (Sylvain Creuzevault) and <em>Libert\u00e9 \u00e0 Br\u00eame<\/em> (C\u00e9dric Gourmelon). She is currently preparing a new work with J\u00e9r\u00f4me Bel.<\/p>","protected":false},"excerpt":{"rendered":"<p>Val\u00e9rie Dr\u00e9ville trained at the Th\u00e9\u00e2tre National de Chaillot and the Conservatoire National Sup\u00e9rieur d\u2019Art Dramatique in Paris. Early in her career, she worked closely with Antoine Vitez and later joined the Com\u00e9die-Fran\u00e7aise (1988\u20131993). She has performed under leading directors&#8230;<\/p>","protected":false},"author":1,"featured_media":6532,"comment_status":"open","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"speaker-category":[],"speaker-tags":[],"location":[],"class_list":["post-6531","speaker","type-speaker","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/d-caf.org\/ar\/wp-json\/wp\/v2\/speaker\/6531","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/d-caf.org\/ar\/wp-json\/wp\/v2\/speaker"}],"about":[{"href":"https:\/\/d-caf.org\/ar\/wp-json\/wp\/v2\/types\/speaker"}],"author":[{"embeddable":true,"href":"https:\/\/d-caf.org\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/d-caf.org\/ar\/wp-json\/wp\/v2\/comments?post=6531"}],"version-history":[{"count":1,"href":"https:\/\/d-caf.org\/ar\/wp-json\/wp\/v2\/speaker\/6531\/revisions"}],"predecessor-version":[{"id":6533,"href":"https:\/\/d-caf.org\/ar\/wp-json\/wp\/v2\/speaker\/6531\/revisions\/6533"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/d-caf.org\/ar\/wp-json\/wp\/v2\/media\/6532"}],"wp:attachment":[{"href":"https:\/\/d-caf.org\/ar\/wp-json\/wp\/v2\/media?parent=6531"}],"wp:term":[{"taxonomy":"speaker-category","embeddable":true,"href":"https:\/\/d-caf.org\/ar\/wp-json\/wp\/v2\/speaker-category?post=6531"},{"taxonomy":"speaker-tags","embeddable":true,"href":"https:\/\/d-caf.org\/ar\/wp-json\/wp\/v2\/speaker-tags?post=6531"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/d-caf.org\/ar\/wp-json\/wp\/v2\/location?post=6531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}