{"id":6589,"date":"2025-09-22T08:46:15","date_gmt":"2025-09-22T08:46:15","guid":{"rendered":"https:\/\/d-caf.org\/?post_type=speaker&#038;p=6589"},"modified":"2025-09-22T08:46:16","modified_gmt":"2025-09-22T08:46:16","slug":"mehdi-dahkan","status":"publish","type":"speaker","link":"https:\/\/d-caf.org\/ar\/speaker\/mehdi-dahkan\/","title":{"rendered":"Mehdi Dahkan"},"content":{"rendered":"<p><strong>Mehdi Dahkan <\/strong>is a Moroccan choreographer and performer whose work uses the body as a primary medium to question constructed behaviors and ideologies in the contemporary Maghreb. He began his practice with breakdance, parkour, and other urban movement forms before expanding into contemporary dance. As a performer, he has collaborated with choreographers across Morocco and Europe, including Sylvain Groud, Khalid Benghrib, Samar Haddad, and Coljam, among others.<br><br>In 2019 he founded Jil Z, a platform for choreographic research and creation, through which he has developed works such as <em>MA\u2019KAN<\/em> (2019), <em>BNI MAKADA <\/em>(2021), <em>ONLY 14 <\/em>(2023), and <em>SUBJECT TO<\/em> (2024). Through his current work, he explores unconventional forms of protest and resistance movements that later developed into artistic practices or ritual acts.<\/p>","protected":false},"excerpt":{"rendered":"<p>Mehdi Dahkan is a Moroccan choreographer and performer whose work uses the body as a primary medium to question constructed behaviors and ideologies in the contemporary Maghreb. He began his practice with breakdance, parkour, and other urban movement forms before&#8230;<\/p>","protected":false},"author":1,"featured_media":6590,"comment_status":"open","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"speaker-category":[],"speaker-tags":[],"location":[],"class_list":["post-6589","speaker","type-speaker","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/d-caf.org\/ar\/wp-json\/wp\/v2\/speaker\/6589","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/d-caf.org\/ar\/wp-json\/wp\/v2\/speaker"}],"about":[{"href":"https:\/\/d-caf.org\/ar\/wp-json\/wp\/v2\/types\/speaker"}],"author":[{"embeddable":true,"href":"https:\/\/d-caf.org\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/d-caf.org\/ar\/wp-json\/wp\/v2\/comments?post=6589"}],"version-history":[{"count":1,"href":"https:\/\/d-caf.org\/ar\/wp-json\/wp\/v2\/speaker\/6589\/revisions"}],"predecessor-version":[{"id":6591,"href":"https:\/\/d-caf.org\/ar\/wp-json\/wp\/v2\/speaker\/6589\/revisions\/6591"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/d-caf.org\/ar\/wp-json\/wp\/v2\/media\/6590"}],"wp:attachment":[{"href":"https:\/\/d-caf.org\/ar\/wp-json\/wp\/v2\/media?parent=6589"}],"wp:term":[{"taxonomy":"speaker-category","embeddable":true,"href":"https:\/\/d-caf.org\/ar\/wp-json\/wp\/v2\/speaker-category?post=6589"},{"taxonomy":"speaker-tags","embeddable":true,"href":"https:\/\/d-caf.org\/ar\/wp-json\/wp\/v2\/speaker-tags?post=6589"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/d-caf.org\/ar\/wp-json\/wp\/v2\/location?post=6589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}